General Commentary of 1984 by George Orwell
George Orwell’s dystopian (a fictional place where people lead dehumanized and fearful lives) vision of the year 1984, as depicted in what many consider to be his greatest novel, has entered the collective consciousness of the English-speaking world more completely than perhaps any other political text, whether fiction or nonfiction. No matter how far our contemporary world may seem from 1984’s Oceania, any suggestion of government surveillance of its citizens — from the threatened “clipper chip,” which would have allowed government officials to monitor all computer activity, to New York Mayor Rudy Giuliani’s decision to place security cameras in Central Park — produces cries of “Big Brother is watching.” Big Brother, the all-seeing manifestation in 1984 of the Party’s drive for power for its own sake has come to stand as a warning of the insidious nature of government-centralized power, and the way that personal freedoms, once encroached upon, are easily destroyed altogether.Critics generally agree that the hero of 1984, Winston Smith, may be recognized by his name as related to both the great British statesman and World War II leader Winston Churchill and a non-descript Everyman. However, the point is not that Winston is a great man, or even that he is one man among many; rather, O’Brien, while torturing Winston, says that if Winston is “a man,” as he claims to think of himself, then he is the last man. In fact this echo of the novel’s original title, The Last Man in Europe, reveals Winston as symbolic of what critic Ian Watt ha s described as Orwell’s conception of a dying humanism. Whether Winston Smith is truly a humanist, in the classical sense of the term, is of…
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…ly to those who worry about the continued possibility of the rise of totalitarianism today. However, there is another face to Big Brother, which is precisely that “manipulation of popular feelings and ideas by the mass media” about which Orwell warned. If people find in government endless new reasons to be vigilant about the incursions into personal liberties which 1984 depicts, they would do well to remember, as Neil Postman claims in the introduction to Amusing Ourselves to Death, that there is a very different version of the dystopian universe presented in Aldous Huxley’s Brave New World, in which “no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.” Big Brother may not be watching; he might be broadcasting.
