Setting of South Sea Islands in Mourning Becomes Electra

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The South Sea IslandsThe carefree islands of the South Sea are a most desirable locale for a vacation or honeymoon. In the play Mourning Becomes Electra, by Eugene O’Neill, the islands are a place where sex is not seen as a sin and people live life freely, as nature intended people to do so. This play was written in a setting where such actions were frowned upon. It was also these islands where escaping to them with Christine Mannon, was a goal never achieved by two men, both who met a painful, vain death. Orin Mannon and Captain Adam Brant fell to the femme fatale that was Christine Mannon. Both of them were sucked into the whirlpool of destruction as Christine sung her siren’s song, lulling them to come to her and escape to the South Sea Islands. It was also here where girls became women and complete freedom was found.Adam Brant wanted to take Christine and Lavinia to “The Blessed Isles.” He had previously been there before and had resided in the land where “the natives walked around naked.” He remembers them vividly as he describes them to Lavinia.

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Lavinia: I your admiration for the naked native women. You said they had found the secret of happiness because they had never heard that love can be a sin.Brant: so you remember that, do you? Aye! And they lived in as near the Garden ofParadise before sin was discovered as you’ll fin on this earth! Unless you’ve seen it, you can’t picture the green beauty of their land set in the blue of the sea! The clouds like down on the mountaintops, the sun drowsing in your blood, and always the surf on the barrier reef singing a croon in your ears like a lullaby! The Blessed Isles I’d call them! You can forget there all men’s dirty dreams of greed and power (279)!

Adam Brant speaks of these islands like a heaven that no one can go to and find bliss. He tells Lavinia that he wants to take her there, the isles where innocence can be found. However, these picturesque islands are the places he really wants to go with Christine, for Adam loves her. This messy love triangle only proves that getting to these islands of innocence are truly beyond the scope of morality. “O’Neill re-employs in various forms the conventional image of exotic islands in order to gain a universally-conditioned response from his audience–escape from unpleasant reality–” (Ronald T.

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