A Closer look at Ibsens A Dolls House
“Everything is relative” or so the flippant motto of the post-modern generation would say. Interestingly enough, this aphorism is brilliantly applied by Henrik Ibsen to enhance his characters in the acclaimed drama, A Doll’s House. Often, we see things relative to their surroundings, and as the contrast between objects heighten, each becomes more visible. Within the first act of A Doll’s House, we encounter Christine Linde, a childhood friend of the main character, Nora, and Dr. Rank, a friend of the family. Ibsen paints distinctive pictures of both Christine and Rank as individuals, and, having established them with the audience uses them as contrasts, or foils, for Nora and Torvald.
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Ibsen develops both Christine and Dr. Rank as individual characters and significant elements of the plot. Christine, left destitute by an unloving marriage, reflects a sense of endurance. She is enduring, wizened, and searching for a new beginning. Whereas Nora is girlish and petty, Christine is wise and observant. Commenting on Krogstad: “Still I think it is the sick who need taking care of” (p. 17) she shows her heartfelt concern for others. Christine is discerning, intelligent, and kind. Her amour-propre is based entirely on interactions with other people. Her livelihood is derived from being useful to others. Dr. Rank is jovial, but insightful, kind, but tainted. While at first glance he is a family friend, he is also in love with N…
