In his documentary How to Grow a Band musical prodigy Chris Thile states, “What makes a great artist, is his or her ability to challenge their audience, because no matter what there will always be an underlying fear to underestimate them.” This is an area not overly discussed in literary analysis, however it’s a dominating factor that defines what we read. Somewhere between creating a passive audience and completely losing them, there is a delicate equilibrium. It’s this ability to challenge your audience that separates the entreating from the captivating. F. Scott Fitzgerald shows true mastery of this in The Great Gatsby, as the complexity of his characters strike deep conversation and internal debate. The subtleties of each character’s actions and reactions force the reader to actively search for insight throughout the novel. A prime example of this is Fitzgerald’s creation of Daisy. Analyzing Daisy as a character is a dynamic experience, and the reader is challenged to change his or her opinion as the novel progresses and with each subsequent reading. At multiple points in the book Fitzgerald puts Daisy in situations that reveal a lot into her underlying character, however he fails to explain these revelations. By doing so Fitzgerald forces the reader to search for explanations, and insights as to who Daisy Buchanan really is.From the very beginning of the novel Fitzgerald sets the audience up to analyze Daisy as a character. By origination with easy inferences, Fitzgerald allows the audience to create a clear accessible firs impression of Daisy.A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding cake of the ceiling and then rippled ove…
…ignorance is truly bliss. Daisy is revealed as a coward when brought down to the real world with rules and consequences. Fitzgerald manages to tell this sub story of Daisy by guiding the reader though the plot, yet still letting them create there own opinion and explanation. This shows true skill of communication through writing. It seems like a majority of popular fiction can be compared to television. The audience can simply observe, as they are passively drug through an exciting plot. It becomes easier to underestimate your audience than fear loosing them. Fitzgerald represents a type of fiction that’s slowly disappearing, as the demand for TV like fiction continually grows.
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Works Cited
Fitzgerald, F. Scott. The Great Gatsby. New York: Charles Scribner’s Sons, 1925.
How to grow a band. Dir . Mark Meatto . Perf . Chris Thile, 2011 . Film.
